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Whereat the boy smiles and grins consumedly, as though charmed with his companion's metaphor, though in reality he understands it not at all. "You are an artiste," says Geoffrey, with a deep sigh when she has finished. "Who taught you, child? But there is no use in such a question. Nobody could teach it to you: you must feel it as you sing. And yet you are scarcely to be envied. Your singing has betrayed to me one thing: if ever you suffer any great trouble it will kill you." "'Who excuses himself, accuses himself,'" quotes Geoffrey. "I want no reasons for your rejection. It is enough that I know you do not care for me.".
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kez_ h (Kez_h)
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Conrad
Opposite to her is a pig, sitting quite erect, and staring at her blankly, without the slightest regard to etiquette or nice feeling. He is plainly full of anxiety, yet without power to express it, except in so far as his tail may aid him, which is limp and prostrate, its very curl being a thing of the past. If any man has impugned the sagacity of pigs, that man has erred! "I am afraid of her; I was never so afraid of any one before. I have made it the business of my life to avoid her ever since last New Year's Day, when some kind fellow told me it was leap-year. You know I never yet said 'No' to any one, and I shouldn't dare begin by saying it to Miss Cheviot. She has such a stony glare, and such a profusion of nose!" "Time, as he passes us, has a dove's wing, "Do not stir," says Mona, hastily, pointing to the bloodhounds. Allspice has risen—so has the hair on his back—and is looking thunder-claps at Paul. A low growl breaks from him. He is plainly bent upon reducing to reason whosoever shall dispute the will of his beloved mistress. "The dogs know their orders, and will obey me. Down, Allspice, down. You will do well, sir, to remain exactly where you are," continues Mona..
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